I am the One, the all and the only. I live in the Pendleton as surely as I live everywhere. I am the Pendleton's history and its destiny. The building is my place of conception, my monument, my killing ground. . . .
 
The Pendleton stands on the summit of Shadow Hill at the highest point of an old heartland city, a Gilded Age palace built in the late 1800s as a tycoon’s dream home. Almost from the beginning, its grandeur has been scarred by episodes of  madness, suicide, mass murder, and whispers of things far worse. But since its rechristening in the 1970s as a luxury apartment building, the Pendleton has been at peace. For its fortunate residents—among them a successful songwriter and her young son, a disgraced ex-senator, a widowed attorney, and a driven money manager—the Pendleton’s magnificent quarters are a sanctuary, its dark past all but forgotten.
 
But now inexplicable shadows caper across walls, security cameras relay impossible images, phantom voices mutter in strange tongues, not-quite-human figures lurk in the basement, elevators plunge  into unknown depths. With each passing hour, a terrifying certainty grows: Whatever drove the Pendleton’s past occupants to their unspeakable fates is at work again. Soon, all those within its boundaries will be engulfed by a dark tide from which few have escaped.
 
Dean Koontz transcends all expectations as he takes readers on a gripping journey to a place where nightmare visions become real—and where a group of singular individuals hold the key to humanity’s destiny. Welcome to 77 Shadow Street.

When Speedy raises from Pelican Bay State Prison, he hitchhikes home to Oakland only to find his little brother Willy a homeless crack addict, and his best friend Fat Bob bouncing in SF's underground punk clubs. When two of their childhood homeboys get wrapped in chains by Nuestra Familia drug dealers and thrown in the American River alive, our heroes somehow get it together enough to plot revenge. Sure, it maybe takes the edge of Speedy's game a little when he starts playing house with beautiful phone psychic Carmel. And it complicates things a bit more when Officer Louis, the same cop who put Speedy in prison, starts dogging their steps like an unwelcome relative. But when a racist coven of skinheads comes howling for Speedy & Carmel's blood, and a serial killer with a Monster in his head decides that Speedy is the answer to all his unholy prayers, things get REALLY interesting . . .

(Book Jacket Status: Jacketed)

In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man’s self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution.

Published in 1916 when Joyce was al?ready at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In an exuberantly in?ventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awak?ening. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age.


From the Hardcover edition.

(Book Jacket Status: Jacketed)

In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man’s self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution.

Published in 1916 when Joyce was al?ready at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In an exuberantly in?ventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awak?ening. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age.


From the Hardcover edition.

2001 First Edition

TWELVE PEOPLE TARGETED FOR DEATH... Five years ago, each person sold out to the SEC and took the stand against Maxmilian Wolfhagen, the infamous arbitrageur who robbed the world of billions and brought about the collapse of the stock market. Now, with Wolfhagen out of prison, one by one, each is dying a grisly death. TWO ASSASSINS WITH ONLY 48 HOURS TO CUT A SWATH OF MURDER AND REVENGE THROUGH NEW YORK... With the time restrains so tight, the challenges are massive--but so are their ruthless skills. MARTY SPELLMAN IS ON THE CASE... Hired by the writer Maggie Cain to investigate Wolfhagen for a biography she's writing about him, private investigator Marty Spellman soon learns that all isn't what it seems as the twists pile up along with sheer number of the dead. His life is put on the line. His family is threatened. No one is who they appear to be. Who can he trust as the bulls of Wall Street start to run as the two assassins fully ignite their killing spree?

The bestselling and hilarious book that blew the doors off Wall Street's boardrooms and introduced the world to the writing of Michael Lewis.

Luella Coombs is more than just a storyteller. She is a chronicler of life’s triumphs and tragedies. She has also lived long enough to realize that fact and fancy can sometimes become confused. In the midst of a great northeast hurricane she decides to relate a story from her younger years. But as the tale unfolds she begins to understand that stories live only because of their telling and that words not only have the power to heal but to transcend time itself.

The Hero of Elm Street. A ghost story about love, loss, and the power of hope.

Luella Coombs is more than just a storyteller. She is a chronicler of life’s triumphs and tragedies. She has also lived long enough to realize that fact and fancy can sometimes become confused. In the midst of a great northeast hurricane she decides to relate a story from her younger years. But as the tale unfolds she begins to understand that stories live only because of their telling and that words not only have the power to heal but to transcend time itself.

The Hero of Elm Street. A ghost story about love, loss, and the power of hope.

Though most widely known for the novella The Great Gatsby, F. Scott Fitzgerald gained a major source of income as a professional writer from the sale of short stories. Over the course of his career, Fitzgerald published more than 160 stories in the period's most popular magazines. His second short fiction collection, Tales of the Jazz Age (1922), includes two masterpieces as well as several other stories from his earlier career. One, "May Day," depicts a party at a popular club in New York that becomes a night of revelry during which former soldiers and an affluent group of young people start an anti-Bolshevik demonstration that results in an attack on a leftist newspaper office. "The Diamond as Big as the Ritz" is a fantastic satire of the selfishness endemic to the wealthy and their undying pursuit to preserve that way of life.

All of these stories, like his best novels, meld Fitzgerald's fascination with wealth with an awareness of a larger world, creating a subtle social critique. With his discerning eye, Fitzgerald elucidates the interactions of the young people of post-World War I America who, cut off from traditions, sought their place in the modern world amid the general hysteria of the period that inaugurated the age of jazz.

This new edition reproduces in full the original collection, stories that represent a clear movement in theme and character development toward what would become The Great Gatsby. In introducing each story, Fitzgerald offers accounts of its textual history, revealing decisions about which stories to include.